Since 1959, German artists dedicated themselves to registering the remnants of the industrial age in Western Europe and the United States through photography. In the 20th century, many of these buildings were pulled down because they had served their purpose and were no longer a tenable economic proposition. In many cases the photographs taken by the Bechers remain the only visual record of these ‘anonymous’ structures.
Inspired by the photographs of these industrial buildings, Dutch designer created the series of furniture. She has restored the disused industrial shapes and placed them in a new context. By reducing the scale and playing with volume, Mieke Meijer creates autonomous interior objects with an architectural feel.
During 2010 she presented ‘‘ and the collection was continued with ‘‘, first presented during 2010.
The third piece in the series, ‘‘, wasn’t based on a Becher photograph but on a marquant Eindhoven building, heritage from the Philips company. Mieke Meijer translated it into a low table with two conical shaped lamps.
‘’, the shape of which is obviously derived from a cooling tower, was transformed into a lamp constructed from over 300 parts.
So what do you think? We love the idea behind this!